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김영미 작가 개인전 ‘업’…29일 구구갤러리서 개막_我的网站

A |     심상·서클 넘어 인간의 ‘업’ 탐구스크래치 기법으로 관계망 형상화                    김영미 작가의 ‘2-3.circle’(2025). 캔버스에 아크릴과 돌가루, 130.3×162.2㎝. 김영미 작가 제공. 김영미 작가의 개인전 ‘업:業:UP’이 오는 29일부터 다음 달 13일까지 서울 목동 구구갤러리에서 열린다. 이번 전시는 김 작가가 오랜 시간 탐구해 온 심상(心象)과 서클(Circle) 시리즈를 넘어 인간의 숙명과 인연, 관계망을 ‘업(業)’이라는 주제로 풀어낸다. 홍익대학교 동양화과와 동 대학원을 졸업한 김 작가는 한국화를 전공했지만, 사실적 묘사보다 내면의 이미지와 감각적 움직임에 주목해 왔다. 특히 캔버스에 아크릴 물감과 돌가루를 여러 겹 덧입힌 뒤 조각도로 긁어내는 ‘스크래치’ 기법을 일관되게 구사해왔다. 쌓고 긁어내는 반복적인 행위를 통해 화면에 시간의 흔적과 내적 질서를 만든다. 이번 전시에서는 다양한 원과 선이 서로 교차하고 겹치며 유기적인 관계망을 이룬다. 굵게 긁어낸 면과 가느다란 실선의 조화, 과감한 색채 변화가 두드러진다. 화면을 가로지르는 원들은 클러스터나 뉴런의 연결망을 연상시키며 생명감과 움직임을 드러낸다. 작품 속 원은 단순한 기하학적 형태를 넘어 사람과 사람, 개인과 세계, 보이는 것과 보이지 않는 것의 관계를 상징한다. 원과 선이 만들어내는 흐름과 균형을 통해 인간이 어떤 인연과 관계 속에서 존재하는지 질문한다. 김 작가는 “모든 창조적 원리는 무에서 유가 됐다가 다시 유에서 무가 되는 순환을 한다”며 “인간은 그 순환 속에서 숙명적인 삶을 살아내면서도 우주의 질서 안에서 빛나고 싶은 연약한 존재인지도 모른다”고 말했다. 전시를 기획한 구자민 구구갤러리 대표는 “이번 전시는 넓고 굵게 긁어낸 흔적과 가느다란 선이 조화를 이루고, 과감한 색채 변화도 두드러진다”며 “수많은 원과 선의 결합이 하나의 우주를 만들고 있다”고 설명했다.。    Honey Rose is set for a fierce return to screens with Rachel, the upcoming Malayalam thriller that has finally confirmed its release plan after weeks of speculation. The makers announced the new date on November 26 with a fresh poster reveal. Rachel, directed by debutant Anandhini Bala, will now arrive in theatres on December 12. The team had previously targeted December 6 but quietly pushed the film ahead. Although no official reason has been offered, the shift appears strategically sound since the earlier window was packed with heavyweight Malayalam releases.     Rachel finds a clear slot before the year end     Mammootty’s much hyped Kalamkaval heads the December 5 slate and is expected to dominate talk among viewers and exhibitors. Indrajith Sukumaran’s Dheeram and Sharaf U Dheen’s Khajuraaho Dreams also land in the same week, all aiming for strong starts during the early December rush. With no other Malayalam title currently occupying December 12, Rachel has found an uncontested space that may allow its word of mouth to travel further.The timing also adds curiosity around Honey Rose’s next move. The actor had a memorable 2023 with Pookkaalam and Rani The Real Story and has since been taking her time selecting roles. Early reactions to Rachel suggest she has chosen a part that is consciously darker and more psychologically layered than her recent outings.                                                                 View this post on Instagram          A post shared by Anandhini BALA (@anandhini._bala)               Honey Rose taps into vengeance and vulnerability     The film’s teaser hints at a story that draws from the grammar of classic revenge dramas while allowing its leading lady to command the frame. Honey Rose plays the titular Rachel, whose interior life is troubled by recurring visions of fiery eyes that follow her into her dreams. The teaser frames her recollections with a stripped back soundscape, focusing on her expressions as she pieces together the face she seeks. By its final moments, Rachel declares her intent to track down the man behind those haunting eyes and kill him, marking her shift from victim to avenger.     The creative team behind Rachel includes writer Rahul Manappatt who has collaborated with Abrid Shine on the screenplay. Their previous sensibilities leaned toward character driven storytelling with emotional texture and that approach appears to carry forward into this project. Anandhini Bala makes her directorial debut with this film and the teaser reflects a filmmaker interested in tightly controlled mood building rather than noisy spectacle. If the final film holds this tone, Rachel could offer a thriller experience shaped around tension and performance rather than sheer action volume.The supporting cast brings together a group of performers comfortable straddling realism and genre. Radhika Radhakrishnan, Babu Raj, Kalabhavan Shajon, Roshan Basheer, Chandu Salimkumar, Jaffar Idukki, Vineeth Thattil, Joji, and Dinesh Prabhakar all feature in roles that reportedly orbit Rachel’s past and her escalating search for truth. Although the makers are keeping narrative specifics under wraps, industry watchers believe the film will mix interpersonal drama with shadowy violence, a combination that Malayalam cinema has been exploring with renewed confidence in recent years.                                             A calculated release choice and a performance driven promise     With audiences now accustomed to a crowded December calendar, Rachel stands out by taking a quieter but arguably smarter route. It avoids direct competition with Kalamkaval, which is expected to open on a high due to its star power and action centric pitch. For a film centred on mood, atmosphere, and an actor led narrative, the mid December corridor could provide enough breathing room to make its mark.For Honey Rose, Rachel arrives as an opportunity to anchor a thriller with both emotional depth and psychological intensity. If the film delivers on the promise of its teaser, viewers may witness one of her most compelling character studies till date.     Also Read: Deepika Padukone makes Ruby Rose dance to Honey Singh songs。

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Published on:22:02:21